Blue Pool EP | Vanessa Carlton

Much of the world has forgotten about singer-songwriter Vanessa Carlton, who momentarily took over the world with the singles "A Thousand Miles" and "Ordinary Day" from her debut Be Not Nobody. "A Thousand Miles" can still be heard on the radio regularly, but for whatever odd reason, not a lot of people decided to stick with her. However, I am proud to say that I have not stopped paying attention to her in the past thirteen years. I have always been in love with her sophomore effort, Harmonium, and enjoyed some songs from Heroes and Thieves and Rabbits on the Run. Recently she has released the Blue Pool EP, a precoursor to her full-length album Liberman, which is scheduled for release on October 23.

Between Carlton's initial sound on Be Not Nobody and the popularity of other female singer-songwriters in the early 2000s, she fit in the mainstream music scene pretty well. Now, she fits into the indie scene, and frankly, I love it. Her music has held onto its reliance on piano and its peacefulness, but it has certainly evolved over the past thirteen years, and in my opinion, she's shown improvement.

The Blue Pool EP starts off with "Take it Easy," which begins with subtle synths before acoustic guitars and Carlton's light voice start to take their soothing toll on listeners. It's lovely and peaceful, but overall leaves the least amount of an impression on me. "Blue Pool," on the other hand, is without a doubt one of the best singles released this year. It's a perfect combination of dark and light, of loneliness and adventure, of cold and warm, and of newness and nostalgia. I often sing along to the lyrics to the chorus since they're so pretty: "'Cause the garden walls grow quick / Before you know you're outside of it / And the ivy's coming in / It's so beautiful if you can find it." The outro will leave listeners in a daze, for that final piano section is so gorgeous and dreamy. Carlton achieved perfection with this song, and I don't think I've loved a song by her so much since Harmonium.

The last two tracks on the EP are live living room sessions of brand new songs, "Operator" and "Nothing Where Something Used to Be." "Operator" immediately became a favorite alongside "Blue Pool." All it consists of is Carlton and her piano (in the living room), and that's all it needs. She sounds exactly the same as she does in her studio recordings, and sometimes when I listen to these living room sessions I forget they're live. The piano part is wonderful from start to finish, and lyrically, Carlton considers running away with someone: "Leave your house for a home." "Nothing Where Something Used to Be" is also quite beautiful, and there's something cozy about it that makes me think of winter.

Carlton's Blue Pool EP is a very tantalizing teaser for what's to come - overall I enjoy this direction more so than her work on Heroes and Thieves and Rabbits on the Run, and I hope I can say this again in October when we get Liberman. She's an artist that stays true to herself as she naturally evolves, and this mini release has some of her best pieces yet.

Paradise (What About Us?) EP | Within Temptation

After postponing the release of their upcoming LP to January of 2014, Within Temptation has given us the Paradise (What About Us?) EP, which is titled after the future album's first single. In addition to the single, three demos of songs that will be included on the full-length album are featured, giving fans a taste of what to expect from the future LP and easing the pain of waiting.

 

The lead single is the first track on this little EP. "Paradise (What About Us?)" is a duet with former Nightwish singer Tarja Turunen, and it's a heavier single than one may expect, especially since the singles from their last album, The Unforgiving, were a bit  more mainstream than usual. Still, it's a great single choice with its catchy string line and high-profile collaborator. It's hard to stop listening, and it's hard to keep from singing along. Within Temptation's Sharon den Adel and Tarja may be very different singers, but they sound great together on this powerful track. Tarja's vocalizing seemed to morph into the general instrumentation; vocalization in that sense has been one of my favorite elements of Within Temptation, and it's what I missed most on The Unforgiving. I truly hope that the extra vocal line written for Tarja is a sign that den Adel will get plenty of opportunities to do so on the upcoming LP.

The first of the demos we've been privileged to hear on this EP is called "Let Us Burn," and it sounds amazing in this unfinished form. The opening riffs are so dark and epic, and much like during Within Temptation's first album Enter, that cool part is repeated a few times, as if the band actually realizes that it'd be the best part. That part is the basis of the chorus, and Sharon den Adel's voice hits some impressive notes considering she's using her chest voice. (She typically switches to the upper register.) The verses are interesting enough with a subtly dark feel, and the middle eight is very prominent; den Adel's voice is distorted amid driving guitars and a male choir, but then the whole thing just explodes. "Let Us Burn" is fantastic; it's like a combination of The Heart of Everything and The Unforgiving.

But there are more throwbacks on this EP. "Silver Moonlight" brings back Robert Westerholt's grunts, which haven't been heard in Within Temptation's music since the song "Jane Doe" nearly ten years ago. I never thought I'd say this, but it sounds like a combination of Enter and The Unforgiving... Weird combination, I know. Though it starts out mellow, it's a fast-paced, heavy track, and den Adel pushes her vocal limit in the pre-chorus, practically yelling "NO!"

Our small preview of what to expect of the LP coming in January ends with "Dog Days," which is basically the ballad of EP, but it isn't particularly a slow song per se. It's very atmospheric in the verses, but guitars come in during the chorus. I was a bit caught off-guard by the vocals in the chorus; we run into yet another throwback. In their earlier music, I always thought Sharon den Adel's voice was so eerie and shrill, and I haven't heard her quite like this since Mother Earth. I must say, I'm quite happy we get to hear her sing in that way again, though her voice sounds good no matter what she's doing with it. The song itself sounds very emotional, and I really like the chord progression at the end of the chorus. I'm especially excited to hear what this will sound like on the LP since I imagine the instrumentation will definitely change up a bit.

So, that's it from Within Temptation for now, and I must say I'm very pleased with the direction they're headed musically. Just about any fan can find something they like on this sample EP, for Within Temptation are creating something completely new while paying homage to their past sounds. I was definitely not disappointed in what this EP had in store; it's making me even more excited for the new album. Since the demos and lead single sound great, I can confidently predict that this new album is going to blow everyone away. I can't wait to hear it!

Until then, we all must enjoy this EP. It is, after all, very solid material.