Showing posts with label Sharon den Adel. Show all posts
Showing posts with label Sharon den Adel. Show all posts

Friday, March 27, 2015

Essential Within Temptation: The Singles

I've made it pretty obvious that the Dutch symphonic metal band Within Temptation is one of my all-time favorites. For nearly 20 years they've been releasing gorgeous music, and they've done something different with each and every album. To compile a list of their best must-listens would be very time consuming and stressful since there are so many. So, as I often do for my music lists, I limited the potentially selections strictly to singles. Even though I oftentimes consider the non-singles to be the best of artists - especially in this genre - Within Temptation has accumulated a wonderful set of them. They provide glimpses into the band's wider scope, and some are undoubtedly among the ranks of their best songs.

To celebrate such a fantastic band, I'm going to briefly count down their most essential singles.

15
"And We Run" ft. Xzibit
Kicking off the countdown is Within Temptation's only song to feature rap. Some fans really weren't into this track, and neither was I for the first fifteen-ish listens... But it's so powerful and uplifting. The simple piano line says so much, and the song crescendos beautifully. Xzibit and Within Temptation's vocalist Sharon den Adel couldn't sound more different, but the collaboration works. It just takes an open mind and a little extra time to fully appreciate it.


 
14
"Forgiven"
"Forgiven" is the tear-jerking ballad from The Heart of Everything used to promote the acclaimed Black Symphony CD/DVD release. It's incredibly emotional and highlights Sharon's beautiful high voice, accompanied by only piano and strings all the way through. Hearts are bound to clench at the last lines of the middle eight: "Everything turned out so wrong / Why did you leave me in silence?"

*I recommend hearing the full version rather than this radio edit. It flows much better.


 
13
"Sinéad"
The Unforgiving got some flack from metal elitists for its 'fun' side, and "Sinéad" was the most fun of all. There are even noticeable synths used throughout. The things is... It's amazing. Try to listen to it and not start dancing - TRY. Failure is inevitable. The strings are catchy as hell and even epic during the breakdown of the middle eight. Like "And We Run," "Sinéad" is one of those songs that proves Within Temptation can do whatever they want - it'll sound great regardless.


 
12
"All I Need"
Another ballad from The Heart of Everything, although "All I Need" is a power ballad. Weirdly enough, I didn't like this song very much the first thirty-ish times... But then one day I was watching the official music video and just started bawling like crazy. It took a while for the incident to occur, but it hit me all at once. Not only is it beautiful, but it rips the heart to shreds. The string line is quite prominent, especially right before the final chorus kicks in... That cello line gets me every time...

*I recommend hearing the full version rather than this radio edit. It flows much better because it keeps the entire bridge, which is where the emotional rollercoaster really begins.

 
 
11
"Running Up That Hill" [Kate Bush Cover]
Within Temptation has now covered enough songs to make an entire album from the Q-Music sessions, but for a while, "Running Up That Hill" was their only cover song. A fabulous transition between the Mother Earth era to the Silent Force era, this song highlights the more shrill aspect of den Adel's voice. It's very upbeat; that chorus is a pure jam session, and the orchestra is still very prominent. Even though it's heavy, there's a lightheartedness to it that makes it stand out in their discography.



10
"Ice Queen"
The classic. The one single you know for sure you'll hear at a Within Temptation concert. "Ice Queen" has a signature light-hearted feel and wonderful lyrics, making it easy for listeners to bob their heads and sing along. It certainly highlights Sharon's glorious upper range and there's something about the orchestration that induces chills.

The video: It seems like everyone on the face of the Internet hates it... but I love it. I'm surprised that it doesn't get more love. It was made about 10-15 years ago - of course the backgrounds are fake as hell. But it's all kind of pretty... Every band member has a different element. 

 

9
"Stand My Ground"
Everyone loves a song about standing up for themselves, but Within Temptation managed to make it more epic. The verses hint at adventure while the chorus - the best part of the song - is filled with determination and even a sense of resolution, but it just grows and grows so that by the time we get to the final chorus the instrumentation kicks in full force. It's not overly ambitious, but it still does one hell of a job of catching attention. 

 

8
"Angels"
"Angels" has long been a fan favorite: Sharon owns the high notes like nobody's business, the lyrics are relatable as they're about deception and betrayal, and that post-chorus and middle eight are so intense and beautiful. It's definitely a song that builds, and even though it isn't particularly bombastic, it's still cinematic, and with a moment like this, it's hard to deny that it's fantastic: "This world may have failed you / It doesn't give you reason why / You could have chosen a different path in life."


 
7
"The Howling"
This single provides a glimpse of Within Temptation's horror side. It's heavy while being intensely catchy - even the backing vocals! It's definitely a bit of a departure from den Adel's head voice-driven repertoire in The Silent Force (although that aspect of her voice will never disappear) and shows off what she can do with a rougher chest foice Unfortunately the radio edit takes away from some of the symphonic elements, but it's truly a great combination of guitars and strings and virtually impossible to sit still while it plays.

 

6
"What Have You Done" ft. Keith Caputo
Before Within Temptation decided to include several duets on their latest album Hydra, "What Have You Done" was the only recorded one they had. The chorus is full of long notes and raw emotion, and the melody is unforgettable. Caputo's voice works quite well here, and in the extended version, Sharon puts her operatic vocals to fantastic use and makes the song absolutely epic. Within Temptation makes a lot of great songs about various topics, but this has to be their ultimate break up song.

*I recommend listening to the extended version since it includes a couple of its best parts.


 
5
"Memories"
Within Temptation has written a number of beautiful ballads throughout their career, but none quite like "Memories." Sharon's voice is so light and heavenly, just like the remarkable string arrangement. But it's really the ending that has the power to blow people away, when the electric instruments come in. Suddenly, the song has a new sense of desperation in that moment, and it lingers until the end when the violin cuts the band off. The music video is perfect.

 

4
"Restless"
Within Temptation's very first single, taken from their debut, Enter. Enter is the most different from all of Within Temptation's albums, and even though "Restless" doesn't include the growls that characterize much of the album, it certainly sets itself apart from other singles in terms of both structure and feel. This piano-led single is eerie, repetitive, and utterly beautiful - it certainly demonstrates the atmosphere of its unique album.

 

3
"Paradise (What About Us?)" ft. Tarja
The symphonic metal corner of the Internet exploded when this collaboration - this mind-blowing, bound-to-shake-the-Earth collaboration - was announced a little over a year ago. Within Temptation and ex-Nightwish singer Tarja Turunen certainly proved to be the powerhouse everyone expected. It's a catchy, adrenaline-filled masterclass with its urgent string line and amazing combination of vocalists. This single also produced what is arguably Within Temptation's best music video to date.



2
"Jillian (I’d Give My Heart)"
So... "Jillian (I'd Give My Heart)" is sort of a single; it was used for the promotion of The Silent Force Tour DVD, so I'm counting it. This song is undoubtedly one of their best pieces: It's so bombastic! The verses are very mellow with its string-led instrumentation and Sharon singing peacefully, but that chorus is a symphonic explosion: "I'd give my heart / Give my soul / I turn it back, it's my fault." By the time the key changes (creating perhaps the most effective key change ever fathomed) and Sharon is calling Jillian's name in the middle eight, chills are just inevitable. To this day it blows my mind.



1
"Mother Earth"
Is it surprising? Probably not. "Mother Earth" isn't just one of Within Temptation's greatest songs: It is symphonic metal classic. The riffs are intense even though the song is so free-flowing and easy to move to, the orchestration is beautiful, and Sharon's voice soars. This has to be the greatest salute to nature ever created with those perfect lyrics: "She rules until the end of time / She gives and she takes / She rules until the end of time / She goes her way." It's a simple life fact: "Mother Earth" is a masterpiece.

The video: While this music video has some seriously awkward shots of Sharon flinging her arms in front of lightning, it has a few perfect moments - particularly the end, because even though the band is jamming outdoors, there are strobe lights, eyes are glowing red, and the lightning is synchronized. Can't get much more metal than that, eh?

Tuesday, February 4, 2014

Hydra | Within Temptation

Dutch symphonic metal legend Within Temptation has finally released their sixth studio album, Hydra, thus changing their sound yet again. The fact that the band has decided to go in a bit of a different direction is not surprising whatsoever; every single one of their previous albums have all been very different from another. Their last album, The Unforgiving, changed the sound in a way that made some fans frustrated. While I must say that I loved The Unforgiving and gave it an extremely positive review on this blog years ago, it has never been my favorite Within Temptation album. Hydra is definitely an overall improvement, bringing the band back to some of its older roots but still being quite dissimilar.

I've been counting the days until Hydra's release for months, for Within Temptation is one of my top two favorite bands of all time. I must say I particularly appreciate the theme of this album as well as the heaviness, which wasn't as present on the last album.

Hydra opens with a quiet, atmospheric synth that crescendos to a stop, cuing the gorgeous and explosive opening guitar riffs (layered with strings, of course) of "Let Us Burn." Melodic lead singer Sharon den Adel's signature vocalizing comes in towards the end of the powerful intro before the eerie verse kicks in, but her vocal style in the chorus is completely different - she's belting it out like nobody's business. I absolutely loved the demo version we were privileged to hear on the Paradise (What About Us?) EP, but this finished version is perfect. Sharon's vocalizing in the intro, new haunting backing vocals in the second verse, amplified string lines, slight changes in some of the choruses' vocal lines, and that middle eight! A choir can now be heard during the middle eight, making it much more epic. "Let Us Burn" is an extremely impressive heavy track filled with emotion.

The second song is "Dangerous," an energetic collaboration with Howard Jones of Killswitch Engage. It was definitely a smart single choice with its heavy, catchy guitar riffs. As Howard Jones sings his half of the verse, Sharon vocalizes with her head voice in the background, creating a fantastic contrast between the two very different vocalists, but their voices end up going relatively well together for the chorus. Really, "Dangerous" is a great morning song; it's bound to get anybody pumped.

Even though Within Temptation fans should be used to the band trying new things all the time, "And We Run" may the most different of anything they've tried, for it features Xzibit - a rapper. While I've been open to the idea of merging rock with rap, I really don't think this is one of Within Temptation's better ideas. The verses are too small for rap, which usually requires longer verses due to the quick recitations, and I'm really not a fan of rapping when it's slower than the speed at which I talk. So, maybe I would've liked it better at a different pace or with a different rapper. The chorus didn't do much for me either, but I must say that I loved the choir in the instrumental.

I'm not concerned though. I highly doubt Within Temptation will try the whole rap thing again since they change so much, and one lackluster song on a fantastic album won't burst my happy bubble.

And I'm sure we all know that their fantastic duet with Tarja can't break anybody's happy bubble. As I said in my review of the EP that was released some months ago, I absolutely love "Paradise (What About Us?)" - what an epic song! It was also #1 on my Top 13 Singles of 2013 list. I must've listened to it on the EP a million times by now and it still isn't old. Those strings are so urgent and catchy as they morph with the guitars, the instrumentation of the verses is just awesome, and the chorus and middle eight are incredibly powerful... I love every aspect of the track. And I must add that this is the first Within Temptation song I've ever heard on the radio on my side of the world (FINALLY), so it definitely served well as the first single.

Halfway through the album, things slow down a bit with "Edge of the World." "Edge of the World" is the track that really surprised me, and I mean that in the best way possible. It begins quite softly with subtle percussion and some strings, but things start to change in the second verse as more instruments come in, eventually bringing in electric guitars with the chorus. A beautiful moment of piano and cello begins the middle eight, giving me chills, and then BAM. Heaviness. Chaotic, screechy violins overlap dark guitars and more intense drumming than usual. That last chorus is just perfect. It's so strange to remember that when "Edge of the World" began, I didn't think I'd like it, but it ended up being my favorite song from Hydra. It's absolutely gorgeous!

Next, the fast-paced "Silver Moonlight" takes fans of  Within Temptation's older material down memory lane. Robert Westerholt's grunts/growls (which were found on Enter, The Dance EP, and the song "Jane Doe") have returned, but that isn't the only resemblance to older material. The guitar riffs are sort of reminiscent of their past music as well. Sharon's vocals are rather impressive on this track, and they're much more edgy than usual, just as I mentioned when I reviewed the song's demo on the Paradise (What About Us?) EP. Like the other songs that we heard early versions of, "Silver Moonlight"  has endured a lot of technical improvement before surfacing on the album.

"Covered by Roses," the seventh track, caught my attention right away with its smooth flow. Sharon vocalizes quite a bit in between the catchy verses and fantastic chorus. Her voice has a nice light tone throughout the track, making this song a rather pretty (though upbeat) one. The middle eight is another highlight of the song with its dramatic strings and eventual breakdown, which left a distorted piano and a child's narration. Another great addition to Hydra.

"Dog Days" is a piano-led ballad that we got to hear the demo of on the Paradise (What About Us?) EP, and the instrumentation is now much cleaner and connected. It's not a bad song, but it doesn't really shine to me, making it my second least favorite from Hydra. At the end, Sharon repeatedly belts "these are the dog days," which doesn't sound like the easiest thing to do... I personally prefer her to switch to her upper register when singing high  notes (because it sounds so pretty!), but more power to her for trying different techniques. We all have our preferences.

The ninth track, "Tell Me Why," pumps up the volume one last time. The guitar riffs in the entire song are heavy and intriguing as Sharon's voice soars - especially those verses! The middle eight begins with vocals (including more of Robert's grunts/growls!) and ends with vocals, but the middle is a bit of an instrumental explosion. The rhythm guitars are so dark during the middle eight under the awesome guitar solo. "Tell Me Why" is one of the heaviest songs on the album, and there's a unique sense of fluidity to it.

But, Hydra had to end at some point. "Whole World is Watching" is the last song at the album, ending it on a soft note. It begins with a bit of guitar and a gorgeous violin. The song features Dave Pirner (the lead singer of Soul Asylum), and it reminds me of "Utopia" in some ways. The best parts are the second half of the chorus and the middle eight as Sharon shows off on the higher vocal lines. It's not one of my favorites per se, but it's still a great song; I really like this one. However, it ends a bit too abruptly for me - especially as an album closer.

But despite any flaws or dislikable qualities found on this rather energetic new album (in my case, mainly just "And We Run" and "Dog Days," and I did find positives in both), it's easy to say that Within Temptation has done it again. The direction they've taken is a bit more metal than symphonic, but the symphonic elements are certainly still there. Within Temptation is doing something different while giving us flashbacks of older work off and on throughout the album, surely giving even the pickiest fans something to enjoy.

Personally, I will be unabashedly replaying Hydra for a long time. I'm sure many others will as well.